Abigail’s Party review – Tamzin Outhwaite’s Bev is Madame Bovary with a Cinzano
Harold Pinter theatre, London Outhwaite’s performance as Beverly, a precision-tooled showcase in hidden anger and longing, is a triumph in this eternally resonant suburban drama Alison Steadman has cast a long shadow over the suburban gargoyle-cum-bored-housewife in Mike Leigh’s social satire about 1970s social mobility. So much so that her name is almost always invoked in relation to Beverly. Tamzin Outhwaite’s incr
Open original article- Ledger record
- #1053
- First seen
- 20 Aug 2026, 13:03 UTC
- Last checked
- 21 Aug 2026, 14:50 UTC
- Version history
- 1 version
- Current fingerprint
b715f902ef50...e5dfa6
Publisher layer
Recorded article metadata
- Publisher
- The Guardian
- Country
- England / United Kingdom
- Source published
- 20 Aug 2026, 13:00 UTC
- Source updated
- No update timestamp supplied
- Byline
- Arifa Akbar
- Section
- Stage
Harold Pinter theatre, London Outhwaite’s performance as Beverly, a precision-tooled showcase in hidden anger and longing, is a triumph in this eternally resonant suburban drama Alison Steadman has cast a long shadow over the suburban gargoyle-cum-bored-housewife in Mike Leigh’s social satire about 1970s social mobility. So much so that her name is almost always invoked in relation to Beverly. Tamzin Outhwaite’s incr
Change layer
Observed version timeline
-
1
Abigail’s Party review – Tamzin Outhwaite’s Bev is Madame Bovary with a Cinzano
Harold Pinter theatre, London Outhwaite’s performance as Beverly, a precision-tooled showcase in hidden anger and longing, is a triumph in this eternally resonant suburban drama Alison Steadman has cast a long shadow over the suburban gargoyle-cum-bored-housewife in Mike Leigh’s social satire about 1970s social mobility. So much so that her name is almost always invoked in relation to Beverly. Tamzin Outhwaite’s incr
Changed fieldstitlebylinedescriptionTextcontentTextsourcePublishedAtsourceUpdatedAtsectionimageUrltags- Version SHA-256
b715f902ef50...e5dfa6- Capture SHA-256
e450374a026b...446200
Interpretation layer
Labels with declared origins
Publisher categories are copied from source metadata. Machine signals report observable wording or format and do not determine truth, intent, ethics, or wrongdoing.
- machine content-type Analysis or opinion observable-rules-v1 / 70% rule confidence
- machine language-signal Investigation language observable-rules-v1 / 65% rule confidence
- publisher category Culture rss-category
- publisher category Mike Leigh rss-category
- publisher category Stage rss-category
- publisher category Theatre rss-category
Public response layer
Reception snapshots
Comment counts and samples remain absent until a lawful, source-specific capture method is reviewed. Absence is recorded instead of estimated.
Evidence layer
Capture provenance
- Capture ID
- #465
- Observed
- 20 Aug 2026, 13:03 UTC
- HTTP result
- 200 / parsed
- Raw payload
- 480,578 bytes, private gzip evidence
- Collector
- news-ledger/0.1
- Public boundary
- metadata and excerpt