Bebe Cave: Swoon review – dazzling portrait of marginalised muses and the male gaze
Pleasance Dome, Edinburgh Smart, slapstick and silly, this chaotic multicharacter comedy sends up the Pre-Raphaelite Brotherhood Some of the most revered works of art across history feature women as their primary focus. But though they might appear as favoured subjects, so often these women are relegated to the margins, their stories untold as they remain silent and often sexualised via the male gaze. In her new mult
Open original article- Ledger record
- #2036
- First seen
- 23 Aug 2026, 17:38 UTC
- Last checked
- 24 Aug 2026, 12:40 UTC
- Version history
- 1 version
- Current fingerprint
bb26236b2c72...4c8f85
Publisher layer
Recorded article metadata
- Publisher
- The Guardian
- Country
- England / United Kingdom
- Source published
- 23 Aug 2026, 06:00 UTC
- Source updated
- No update timestamp supplied
- Byline
- Arusa Qureshi
- Section
- Edinburgh festival 2026
Pleasance Dome, Edinburgh Smart, slapstick and silly, this chaotic multicharacter comedy sends up the Pre-Raphaelite Brotherhood Some of the most revered works of art across history feature women as their primary focus. But though they might appear as favoured subjects, so often these women are relegated to the margins, their stories untold as they remain silent and often sexualised via the male gaze. In her new mult
Change layer
Observed version timeline
-
1
Bebe Cave: Swoon review – dazzling portrait of marginalised muses and the male gaze
Pleasance Dome, Edinburgh Smart, slapstick and silly, this chaotic multicharacter comedy sends up the Pre-Raphaelite Brotherhood Some of the most revered works of art across history feature women as their primary focus. But though they might appear as favoured subjects, so often these women are relegated to the margins, their stories untold as they remain silent and often sexualised via the male gaze. In her new mult
Changed fieldstitlebylinedescriptionTextcontentTextsourcePublishedAtsourceUpdatedAtsectionimageUrltags- Version SHA-256
bb26236b2c72...4c8f85- Capture SHA-256
cd7051ea5c9e...76db91
Interpretation layer
Labels with declared origins
Publisher categories are copied from source metadata. Machine signals report observable wording or format and do not determine truth, intent, ethics, or wrongdoing.
- machine content-type Analysis or opinion observable-rules-v1 / 70% rule confidence
- machine language-signal Investigation language observable-rules-v1 / 65% rule confidence
- publisher category Art and design rss-category
- publisher category Comedy rss-category
- publisher category Culture rss-category
- publisher category Edinburgh festival rss-category
- publisher category Edinburgh festival 2026 rss-category
- publisher category Painting rss-category
- publisher category Stage rss-category
- publisher category The pre-Raphaelites rss-category
- publisher category Theatre rss-category
- publisher category Women rss-category
Public response layer
Reception snapshots
Comment counts and samples remain absent until a lawful, source-specific capture method is reviewed. Absence is recorded instead of estimated.
Evidence layer
Capture provenance
- Capture ID
- #1688
- Observed
- 23 Aug 2026, 17:38 UTC
- HTTP result
- 200 / parsed
- Raw payload
- 475,322 bytes, private gzip evidence
- Collector
- news-ledger/0.1
- Public boundary
- metadata and excerpt